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In Other Columns


 
Make a Difference

 
ShowBizQ
Sears and weed make ‘The Bowery Boys’ shine
 
You’ve Got a Busy Weekend
The new year is here and there is plenty to do in the Windy City
 
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Celebrating the best in music for '08, the annual Plez Awards
 
Action!
The latest photos from George St. George: Scarlet's NYE Celebration
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Out & About
The latest shots from Dave: Spin's NYE
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Talkin Broadway
John reviews The Seafarer at the Steppenwolf Theatre Company
 
Zoom Out
Think "voluntourism" and share the holidays on any day of the year
 
Weekend Snaps
The newest photos from Ryan: Fierce! Drag Cabaret with Lady Vera Parker
Albums: Ryan's | All
 
Princess Darby
Which balance sheet comes first work or love?
 
Bedfellows
BFs goes to the movies with Reeling Director Brenda Webb
 
Local Dish
Graham Elliot: four-star cuisine in a casual environment
 
Q Capriccio
Darren Hayes is 10 years older, a lot gayer and singing independent
 
Living Well
I just got dumped: 5 survival tips for surviving the big D
 
Out There
The newest photos from Rick: After Parade (3)
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Up Close and Personal
The latest shots from G. Thomas Ward: Flesh Hungry Dog Show
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On the Circuit
The newest shots from Derek: San Diego Pride
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6.18.2008

Like Swiss Watches
With the calendar precision reminiscent of a Swiss timepiece, the guys over at Centaur are back on the proverbial record store shelves with PARTY GROOVE: GAY DAYS Vol. 5. The "Official CD" for the internationally acclaimed week of celebration known as Gay Days in Orlando, Florida is mixed yet again by the talented DJ Randy Bettis. The 13-track continuous dance mix is a fun, bouncy, energetic affair with an engaging blend of new and old. For the new, there's Paula Abdul's "Dance Like There's No Tomorrow" (which sounds much better on this CD than it ever did when I played it in the DJ booth), Danielle Bollinger's "Surrender Me" and the Lady D. remake of "Bleeding Love" (the song that has catapulted Leona Lewis to superstardom). On the old-school front, Bettis serves up remakes of disco classics "Ride On Time" and "Hot Stuff" as well as a dance version of Mr. Mister's "Broken Wings" by Rivaz featuring Ronin. These songs and their inclusion are definitely "on point" and help make this another solid Centaur effort that will get maximum airplay throughout the summer. [Note: In addition to buying the actual CD at Best Buy or via Amazon.com, the digital download is available on iTunes and at www.TheOutClub.com]

Centaur's GayDays Tour with Bettis will be coming to Chicago as part of Nitro at Circuit Night Club on Saturday, June 28. (Event Details)

Mimi Is All The Way Back
Even when she was getting trashed back in the day for "Glitter" and as folks were gleefully writing her professional and artistic obituary, I always maintained that Mariah Carey would come back even stronger and better than ever. I figured talent would ultimately overcome poor career decisions – and a nervous breakdown - and that is exactly what has happened with 2005's multiple-platinum and multiple-Grammy winning THE EMANCIPATION OF MIMI and the recently released chart-topper E=MC2 (Island Records). The 14-track album is a highly stylized and well-produced offering of pop and soulful R&B titles that are sure to delight her many fans. The first single, "Touch My Body," has been in heavy rotation on radio (terrestrial, satellite, and internet) and various video outlets since February while the Craig C Club Remix is one of the best dance tracks to be released in years. Craig C has been producing top-notch remixes of late, but this re-rub of "Touch My Body" is simply outstanding!

A Box Of 64?
Continuing the string of CD releases from some of the biggest musical divas in history, Donna Summer is back with her first studio album of new material in 17 years: CRAYONS (Burgundy Records / Sony BMG). While many may have predicted that Summer would rest on her laurels and deliver something tried, true, familiar, and dated, she instead proves that talent knows no bounds of time and offers up a spectacular effort. CRAYONS is a fresh and modern 12-track CD with "clubby" tracks that ably captures the pop/hip-hop/r&b vibe that's ever present on radio and video. The first single, "I'm A Fire," proved popular throughout clubland during the spring and the recently released "Stamp Your Feet" will undoubtedly become a summer anthem. All in all, CRAYONS is an impressive achievement and proof positive that Summer is still a force to be reckoned with.

Round-up
Here's a quick rundown of three full-length CDs I think you should seek out.

WHEN YOU KNOW by Dianne Reeves (Blue Note/EMI). I've long been a fan of this very talented jazz vocalist and this new album has her covering a variety of genres with dazzling brilliance. While several pop and R&B divas have recently tackled jazz projects with varying degrees of success, it's nice to have Reeves demonstrate what a true jazz pro can do.

THIRD by Portishead (Mercury/Island). Classified as Electronica Trip-hop by Amazon.com, this inventive and ground-breaking British trio just performed on the main stage at the Coachchella Music Festival, and they are back in our consciousness with their first album in ten years. Definitely not geared for the pop music obsessed or those who like their electronica easily accessible, THIRD is a masterful effort that will reward those with an open and adventuresome musical mind. It may take a few listenings to finally "get it," but your investment in time will be well worth it.

ROBYN by Robyn (Interscope). Remember the huge 1997 international hit "Show Me Love" by Robyn? Well, the Swedish star is back with a fantastically fun CD that has infectious melodies and funky fresh beats. Featuring tracks such as "Who's That Girl" and "Konichiwa Bitches," ROBYN is more than mindless pop; it's a creative and entertaining album that's a must-have.


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About DJ Plez

DJ Plez (aka Michael Pleasants) has been DJing since the late 1980's, sharing his passion for dance music with dance floors and listeners around the world. After many years of successful toil in the financial services industry, he’s now spending much more time in a DJ booth instead of an office cubicle.
DJ Plez has quite a diverse range of dance music “likes” to accompany his true love of house music.
The incredibly wide variety of records and CDs that DJ Plez possesses helps explain the unique style he has forged: one that melds various forms of dance music - Chicago house, progressive, tribal, underground, and club - into a cohesive presentation that is rhythmically exciting, sexy, and energetic.
DJ Plez uses fresh approaches for each of his live sets, skillfully producing intricate mixes on the fly, creating a sense of dance floor drama with his in-booth programming, and most importantly to him, making sure his sets have one abiding element: GROOVE!

As would be expected from his wide ranging style, the DJs that have most influenced DJ Plez represent the vast global dance music scene and include: Victor Calderone, Derrick Carter, John Digweed, Danny Howells, Frankie Knuckles, Susan Morabito, Ralphi Rosario, Danny Tenaglia, and Junior Vasquez just to name a few. However, the most significant influence on DJ Plez’s abilities in the DJ booth are the experiences he has when he’s out dancing at parties and in clubs, staying intimately connected to the dance floors and partygoers populating them.
It’s this connection that allows him to truly find out and understand what makes a dance floor tick, thus leading to his success in the DJ booth.

DJ Plez sees himself as an ambassador of house music on a mission to help perpetuate and grow this Chicago-born art form. During the past year he had gigs in Zurich (Nuts & Bolts Party; Labor-Bar), Montreal (Unity 2; Chrome), and Miami (Cactus) and will be adding Amsterdam, Detroit, and Los Angeles to his travel itinerary. Locally, DJ Plez has residencies at Cell Block and Ezuli in Chicago and has made several appearances at PUMP!Milwaukee. In addition to numerous private and corporate DJing gigs, DJ Plez is the Music Editor of ChicagoPride.com.

Mixes of DJ Plez have been played on internet radio at www.circuitmix.com since June 2003. Additional opportunities to listen to more mixes by DJ Plez will come about in the near future on his web site www.djplez.com.

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