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Paperback
Publisher: Oxford University Press, USA
Frederick Garber
First published in 1797, The Italian is Ann Radcliffe's classic creation of Gothic romance. Set against the backdrop of the Holy Inquisition, the narrative revolves around the sinister and mysterious monk, Father Schedoni, and the ill fated lovers, Ellena Rosalba and Vincentio di Vivaldi. With a new introduction and updated notes, this edition examines the formal, historical, and political aspects of Radcliffe's most brilliant work.
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| This Italian, by Ann Radcliffe |
| Customer Rating: 5 out of 5 |
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This book is a very intelligent and well written book.
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| So Many Turns of Events! |
| Customer Rating: 5 out of 5 |
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The Italian was Radcliffe's last novel. It is about a nobleman who falls in love with a woman whose identity is unknown to herself and the reader throughout her sufferings. She is oppressed by many people in whose hands she falls as she is snatched away from the nobleman Vivaldi to prevent their marriage. Like all of Radcliffe's heroines, her character is marked by an amazing fortitude despite the horrifying things to which she is frequently subjected. Vivaldi faces the powers of the Inquisition and Radcliffe gives the reader some idea of their dealings with offenders and their ways of making prisoners "confess." There are many turns of events which are delightful until another perilous event disappoints and grieves the reader. This is certainly what most reviewers call a page-turner. The sentiments are by no means modern. For a reader who is looking for modern unrestrained "romance," none of Radcliffe's novels is a good choice. Her stories are for true romantics.
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| A Difficult Read |
| Customer Rating: 2 out of 5 |
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I found "The Italian" to be less satisfying, more lurid, more obscure, and harder going than "Romance of the Forest." The plot moves slowly and the punctuation of this edition was a definite impediment for me. The decadent qualities, atmosphere of depravity, and character style were intentional, I realize, but I found this book to be mired in its genre, cardboard in character development, and unrewarding. I enjoyed the similar "Uncle Silas" far more.
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| Gothic Romance at its Best |
| Customer Rating: 4 out of 5 |
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Let it first be said that Lewis's "The Monk" is heavily influenced by Radcliffe. Reading "The Monk" first would throw the reader off the track. This novel is an excellent selection from the genre of Gothic novel, and is indeed a masterpiece. The Gothic novel had a great impact on Romanticism, and on the literature of the absurd. Overall, an enjoyable read!
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| The "Queen of the Gothic Novel" |
| Customer Rating: 3 out of 5 |
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This is one of Radcliffe's two best novels, the other being "The Mysteries of Udolpho". A little excursion into literary history will clear up the confusion of the reviewer who feels that Radcliffe copied Lewis' "The Monk". If any copying was done, it was the other way around. At the time Lewis began writing, Radcliffe was the top Gothic novelist, and one of the most popular authors of any genre. Lewis, himself, stated that he was inspired to write "The Monk" after reading "Udolpho". (In fact, Radcliffe's mastery of the gothic influenced such poets as Byron and Keats, who called her "mother Radcliffe" for her legacy, and many other writers of her day and far beyond.) Among her major influences were Shakespeare, Milton, and Walpole, who basically founded the gothic novel. But Radcliffe took it to a new and higher level than Walpole, and Lewis took off from Radcliffe's new elevation, and went in another, though not necessarily higher, direction. Having read both "The Italian" and "The Monk" (my copies rest amiably next to one another on the shelf), I would say they are BOTH very much worth reading (as is "Udolpho"). Reading "Udolpho" first, and then "The Monk", will demonstrate how much Lewis drew his inspiration from the master. Reading "The Italian" will show that master at once at the peak and, unfortunately, the close of her literary career.
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